Saturday, January 10, 2026

CELEBRATION AND IRONY: CAVAFY AND WORLD GREEK LANGUAGE DAY



The proclamation of World Greek Language Day by UNESCO in 2025 reached Australia bearing more than ceremonial significance. It arrived as an occasion freighted with self-examination. Publicly, it constituted a long overdue international recognition of the Greek language as a civilisational medium through which philosophy, science, theology, literature, and political thought have been articulated for millennia. Privately, it exposed a moment of national dissonance. Australia had initially failed to support the adoption of the Day. This omission did not pass quietly. Through sustained, lucid, and principled advocacy, Professor Anastasios Tamis brought this absence into the open. Only after considerable community publicity and activism did Australia amend its stance. The projected celebrations of World Greek Language Day this February in Melbourne, may therefore be read against this background, as a deliberate act of correction rather than an unthinking reflex of affirmation. Regardless, the Day is now ours.

The choice of 9 February as the date of commemoration lends the Day an added layer of poignancy. It marks the death of Dionysios Solomos, the national poet of Greece, a figure whose life and work complicate any simple narrative of linguistic purity or cultural rootedness. Solomos lived outside the borders of the modern Greek state, was more fluent in Italian than in Greek, signed his name in Italian, and composed Greece’s national anthem under conditions of linguistic struggle and self-translation. The Greek anthem remains singular among national anthems in being prefaced by an Italian quotation from Dante. Such symbolic implications are difficult to ignore. The Greek language is commemorated on a day associated with a poet whose relationship to that language was fractured, diasporic, and hard-won. From the outset, World Greek Language Day gestures toward complexity rather than certainty and toward inheritance shaped by displacement rather than seamless continuity.
This background matters, for it coincides in Australia with a moment of undeniable contraction. The Greek language has been retreating from daily use. Intergenerational transmission has thinned. Greek language programmes labour under dwindling enrolments. The sound of Greek has faded from streets and shopping strips once defined by its cadence. In such a climate, the invitation to celebrate the Greek language provokes unease. Celebration appears discordant when the object of celebration is visibly receding. It raises the suspicion that ritual affirmation risks standing in place of sustained practice, that commemoration might soften rather than confront decline.
Such unease is neither novel nor confined to our own circumstances. It finds a resonant articulation in the poetry of Cavafy, whose work persistently interrogates the tension between cultural memory and cultural erosion. In The Poseidonians, Cavafy evokes a Greek community of Magna Graecia that has lost its language through centuries of assimilation. All that remains is a festival: music, contests, wreaths. Toward its conclusion, fragments of Greek names are uttered, recognised by only a few, and the mood darkens as the participants recall that they were once Greeks and now inhabit another linguistic and cultural world altogether. They remember, “that they too were Greeks once, citizens of Magna Graecia,” and the recollection renders the celebration heavy with ennui.
This ennui deepens when the poem is read alongside In the Year 200 BC. Here, diasporan Greeks speak with expansive confidence bordering on hubris. They enumerate cities and territories, celebrate their adaptive governance, and exalt the Common Greek Language carried as far as Bactria and the Indians. “We the Alexandrians, the Antiochians, the Seleucians,” they proclaim, assured of “our Common Greek Language which we carried as far as Bactria, as far as the Indians.” The tone is exultant yet the irony is severe. The speakers remain blind to the fragility of their moment, unaware that contraction, dispersal, and marginalisation lie ahead.
Read together, these poems trace a familiar arc: expansion yielding to attenuation, confidence giving way to ritualised remembrance. The parallel with Greek Australia is difficult to evade. Within living memory, Greek was transplanted across oceans and woven into the fabric of Australian urban life. Melbourne was spoken of, without hesitation, as a New Alexandria, the fate of the original city’s Greek population seldom troubling the analogy. Today, as Greek recedes from the streetscape, does the turn toward celebration risks recalling the Poseidonian festival, a gesture of memory shadowed by loss?
From this vantage, World Greek Language Day may appear less a sign of resilience than an index of vulnerability. It may seem to console without confronting the deeper currents shaping linguistic retreat: the marginalisation of language education, the pressures of monolingual public life, and the quiet internalisation of the belief that Greek belongs more securely to the past than to the present. Celebration, under such conditions, can feel untimely. Γλεντάτε γιατί χανόμαστε.
Yet with Cavafy, nothing is what it first appears. Even as he laments, the lament itself takes on an ironic inflection, edging toward the melodramatic. It is as though Cavafy is gently mocking our propensity to absolutise loss, to take our fear, our sorrow, our pride, and our nostalgia with excessive seriousness. His poetry warns against confusing anxiety with historical law. History, in Cavafy, moves in tides rather than straight lines. Languages vanish from particular places and reappear elsewhere. Greek receded from regions where it once flourished, Egypt among them, and endured improbably in others, Italy for example. This elasticity unsettles any reading of decline as extinction and invites a more measured consideration of what celebration might yet signify.
Greek has persisted less through institutional authority than through density of meaning. Across centuries, it has served as a language of philosophical inquiry, theological reflection, civic deliberation, and narrative subtlety. Terms such as logos, polis, ethos, and a host of others, carry within them entire traditions of ethical and conceptual thought that resist reduction to instrumental speech. The erosion of Greek entails more than a numerical diminution of speakers. It signals a thinning of the conceptual registers through which much of the the world has been apprehended and contested. In this sense, the celebration of World Greek Language Day may be understood as an act of intellectual guardianship rather than ethnic sentimentality.
The Australian context further complicates linear narratives of decline. Greek historically functioned as a bridge language among migrant communities of the Eastern Mediterranean and the Balkans. Assyrians, Albanians, Arabs, Armenians, and others traditionally employed Greek as a lingua franca of labour, commerce, and urban coexistence prior to migration. Their linguistic relationship to Greek rarely features in communal self-description, yet it constitutes an integral strand of Australia’s migrant history.
That history persists in modest and often overlooked forms. Migrants from Iraq, Syria, and the Balkans often arrive in Australia with Greek already embedded in their linguistic repertoire, having sojourned there prior to migrating here. My local Indian fruit shop owner addresses elderly Greek customers in fluent Greek acquired prior to migration. Such speakers seldom transmit the language to their children, yet they occupy a neglected position within the Greek linguistic ecology. Their presence reveals Greek as a language of contact and exchange rather than enclosure, and they are worth acknowledging and celebrating on World Greek Language Day.
The same is true of Australians of non-Greek background who engage deeply with Greek language and culture. Musicians Wayne Simmons and Paddy Montgomery play a formative role in Melbourne’s Greek music scene and converse in fluent Modern Greek. Carol Fraser composes poetry and rebetika lyrics in Greek. These engagements are eminently generative rather than commemorative. They treat Greek as a living expressive medium shaped by practice, affinity, and imagination.
Such instances expose the limits of utilitarian arguments for language preservation, arguments that assume value must justify itself in measurable terms. Appeals to cognitive benefit or economic advantage seldom cultivate enduring attachment. Languages endure when they are experienced as irreplaceable, when their absence would leave a conceptual and emotional void of the kind Cavafy understood all too well. World Greek Language Day creates a space in which Greek may be affirmed in Australia as culturally and intellectually indispensable rather than merely advantageous.
Forms of diasporan Greek also demand reconsideration. They are frequently measured against imagined metropolitan norms and judged deficient on account of accent, borrowing, or code switching. Linguistic history suggests a different lesson. Greek has never been static. Its vitality has always depended upon adaptation. The Greek of Alexandria diverged from that of Athens, only to give rise to Koine Greek which spread throughout the Middle East. Diasporan Greek, reshaped through migration, generational shift, and even attrition, as well as the fact that we retain here dialects of Greek that are dying out in their original home, continues this long tradition of transformation and merits recognition and celebration on World Greek Language Day rather than apology, even as it recedes in the face of Satellite television from Greece.
What renders contemporary discussions of Greek language decline most disabling is the quiet conversion of description into destiny. Loss is framed as natural, organic, and therefore immune to intervention, until explanation hardens into alibi and resignation masquerades as realism. World Greek Language Day interrupts this abdication of agency. It offers no assurance of recovery, yet it refuses the foreclosure of possibility. By naming the Greek language publicly and globally, it reintroduces contingency into a discourse numbed by inevitability. Decline may be acknowledged without being treated as destiny, and trajectories may be recognised without being accepted as immutable.
In In the Year 200 BC, hubristic voices speak as though history were settled in their favour. In The Poseidonians, the later voices remember too late. Between these two poems lies the narrow space in which cultures actually abide. World Greek Language Day occupies that liminal space between boastfulness and lament, confidence and elegy. It affirms, regardless as to whether we will speak Greek merely to remember that it was once spoken, or whether we will continue to speak it while knowing, with Cavafy and Solomos, that language survives not because history guarantees it, but because people persist in using it even when certainty has vanished. Celebration, in this light, is neither denial nor consolation. It is an imperative.
DEAN KALIMNIOU
kalymnios@hotmail.com
First published in NKEE on Saturday 10 January 2026

Saturday, January 03, 2026

KAZAMIAS 2026



Whereas in years past I relied on gossip, innuendo, smut and leftover cracked lamb bones from the Paschal Feast to acquire such oracular powers as might pierce the veil of the future, this year I adopted a different approach. I was gifted by a State Member of Parliament an Aboriginal oracle, a modern divination deck purportedly inspired by ancient Aboriginal spirituality, Dreamtime stories, ancestors, bush medicine and animal totems, promising guidance, self-exploration and healing through connection to Country and ancestral wisdom. According to the explanatory caption on the back, the deck offers clarity and affirmation for life’s challenges. Unfortunately, the deck was compulsorily acquired by my son on unjust terms to construct a maquette of the now-defunct East–West Link. I therefore resorted to the singular powers of Theia Thekla of Brunswick, who, after brewing me a cup of her top-shelf, only-for-guests Oasis Griffiths Greek Coffee, swirled the dregs, overturned the cup and revealed to me the Master Plan.

JANUARY
- Inspired by the historic success of George Calombaris’ Hellenic Republic, several intrepid Greek restaurateurs resolve to open an eatery titled Consulate-General of the Hellenic Republic. Its doors are usually closed, the phone unanswered and the menu indecipherable. Reservations are required three months in advance, only for one to be informed by a scowling waiter that whatever you ordered is unavailable. Despite negligible foot traffic and zero social-media presence, the restaurant becomes wildly profitable through the proprietors’ successful acquisition of free dinners from patrons.
- The Greek Orthodox Community of Melbourne and Victoria foils a terrorist plot when the remnants of the online Left-Deviationist Opposition attempt to infiltrate the Greek Centre to discuss the implications of Comrade Trotsky’s January 1925 speech to the Plenum of the Central Committee of the Russian Communist Party. They reach as far as Sulbing Café before being apprehended while infusing dangerous doctrine into bubble tea.
- Heidelberg United Soccer Club is summoned before Football Australasia and formally censured for breathing.
- Someone who cannot be criticised does something worth critiquing. As critique is deemed criticism, the relevant social-media post is deleted. The author is nevertheless apprehended by the Eye of Sauron for failing to critique the critiquers.
- The renegade artist formerly known as Papa-Redhill challenges his schismatic Kievan overlord to ritual combat using wet touloumbes on the Rye foreshore. Within seconds, Papa-Redhills’ touloumba collapses that of the Kievan Vladika, proving the superiority of the Hellenic Sisterhood over the Kievan Rus. His followers proclaim a miracle and erect the victorious touloumba as both sundial and object of veneration.
- A panygyri takes place in Melbourne. Souvlakia and loukoumades are sold and Anagenisi Band pumps out the latest and not-so-latest tracks.
FEBRUARY
- World Greek Language Day is commemorated by people who no longer speak Greek at five separate ceremonies across the city, as none of the organisers are on speaking terms. Community photographer Kostas Deves attends all five, then takes the rest of the year off.
- A community leader excluded from the stage at all five ceremonies organises his own World Greek Language Day event, where he is the sole VIP permitted on stage. The stage resigns in protest.
- Greek Members of Parliament travel east to Melbourne to enjoy a taxpayer-funded holiday during Greek National Day festivities, including official visits to Vanilla, Nikos Cakes and Melissa Thornbury. Following a star, they instead arrive at the flagpole of Sveta Petka Church in Epping and gaze upon a stolen star-symbol. The President of Pan-Mac declines to rescue them. An official protest is lodged with no one in particular.
- Pauline Hanson is revealed to be of Greek origin, a descendant of Paulos Hansonidis, introducer of fish and chips to Ipswich. She collapses under the weight of her internal contradictions. Bob Katter dies laughing.
- A panygyri takes place in Melbourne. Souvlakia and loukoumades are sold and Anagenisi Band pumps out the latest and not-so-latest tracks.
MARCH
- Sakis Zafiropoulos relaunches his “Speak Greek in March” campaign. The Victorian Committee for the Greek National Day March sues for trademark infringement after it emerges that the word “March” was trademarked by a former president. In obiter dicta, the presiding judge observes that it is remarkable no one has yet trademarked the word “Greek.”
- The Hellenic Lawyers Conglomerate of Australasia and the Pacific Islands (excluding those claimed by China) promptly trademarks the word “Hellenic.” The Consulate-General rebrands as the Consulate-General of the Romaic Republic before agreeing to pay an annual licence fee of one stamped document.
- The Greek Patriotic Club holds its AGM to determine which of the seventeen constitutions unilaterally adopted by its former president is valid. The matter is resolved via the customary procedure of pin-the-innuendo-on-the-donkey.
- A panygyri takes place in Melbourne. Souvlakia and loukoumades are sold and Anagenisi Band pumps out the latest and not-so-latest tracks.
APRIL
- A public school threatens to discontinue its Modern Greek program. Pharos mobilises the three interested parents and successfully saves it until next month. Numerous articles and photographs appear in the paper.
- A Greek-Australian “youth initiative” is launched with great fanfare. Eligibility is limited to persons over thirty-five with twenty years’ committee experience.
- A major community organisation launches a bold new vision statement promising renewal, transparency and youth engagement. The executive committee remains unchanged since 1994.
- The General Secratariat of Greeks Abroad in Athens announces funding for diaspora initiatives. The application deadline is retroactively set for the previous month.
- Anthony Albanese fondly recalls the first time he ate a souvlaki at a Greek panygyri.
The abovementioned was a panygyri where souvlakia and loukoumades were sold and Anagenisi Band pumped out the latest and not-so-latest tracks.
- The Victorian Government introduces a Greek Panygyri Levy to address budget shortfalls. On legal advice, all events are rebranded as Hellenic, thereby avoiding the levy but not the licence fee charged by the Hellenic Lawyers Conglomerate.
MAY
- The missing statue of Venizelos is located outside Santa’s Christmas Kingdom in Darebin, painted red and wearing a Santa hat. The proprietors apologise, citing mistaken identity, but refuse to return it as it now forms part of an installation featuring a sleigh and nine moustachioed reindeer named Manousos.
- Geoffrey Robertson and Amal Clooney are briefed to commence proceedings in the International Court of Justice. The real Battle of Crete begins.
- Someone extremely important is removed from the guest list of an exclusive community soirée. As the event is closed-circle, no one notices. The uninvited party edits himself into the official photo using ChatGPT.
- A panygyri takes place in Melbourne. Souvlakia and loukoumades are sold and Anagenisi Band pumps out the latest and not-so-latest tracks. Manasis Dance Group is not invited.
JUNE – AUGUST
- Nothing happens because everyone is in Greece.
SEPTEMBER
- Recently returned from the motherland, the President of the Panimian Federation of Tootgarook posts a photograph with the Greek Minister for Bad Design. After receiving only four likes, the Vice-President convenes a non-compliant extraordinary general meeting, deposes him and assumes control of the Federation’s bank account and four investment properties.
- The new President is photographed fleeing the Trak Centre, having spent Federation funds on a prime table for himself and his koumbara to see octogenarian Greek crooner Giorgos Roubinis, when the koumbara’s two admirers fight over who has the larger infrastructure grant.
- A panygyri takes place in Melbourne. Souvlakia and loukoumades are sold and Anagenisi Band pumps out the latest and not-so-latest tracks. Manasis Dance Group is not invited.
OCTOBER
- Someone paints the façade of the embattled Brunswick church in rainbow colours. The proposal to close Staley Street is quietly abandoned.
- In Coburg, Council approves a tower reaching heavenward in front of Ypapanti Church. Following an IBAC investigation, union officials’ tongues are tied and construction halts. Father Leo is seen outside the church holding the Book of Genesis open, smiling: “I told you so.”
- Dean Kotsianis paints a wall in his Yitonia.
- A panygyri takes place in Melbourne. Souvlakia and loukoumades are sold and Anagenisi Band pumps out the latest and not-so-latest tracks.
NOVEMBER
- Meni Valle releases her latest cookbook, Pethera. The pages are blank, as no self-respecting pethera divulges her secrets.
- Jim Claven launches "Brisbanians Behaving Badly: The ANZACS on Imia" and secures funding for a documentary adaptation, directed by Dean Kalimniou and performed entirely through mime and shadow puppetry. It screens at Watergardens to a capacity audience of three and a half.
- Anthony Albanese calls a snap election after Adelaide multimillionaire Gerry Karidis offers to secure supply via a loan from a third-tier Pakistani lender. Albo agrees enthusiastically and wins comfortably.
- Dean Kotsianis paints another wall in someone else's Yitonia.
- A panygyri takes place in Melbourne. Souvlakia and loukoumades are sold and Anagenisi Band pumps out the latest and not-so-latest tracks.
DECEMBER
- Following her electoral defeat, Liberal leader Sussan Ley resigns and is replaced by George Kapiniaris, who immediately adopts “Tsiki Tsiki to Katsiki,” as sung by Delta Goodrem, as party anthem.
- George Kapiniaris resigns the next day after it is determined that his surname contains too many syllables for him to qualify for the leadership.
- Bill Papastergiadis enters negotiations with Santa Claus for a Strategic Framework Agreement on equitable multicultural present distribution. Talks collapse over chimney-access exemptions under heritage overlays.
- The Melbourne Greek Christmas Pageant is cancelled when three committees assert ownership of the baby Jesus figurine. An interim administrator is appointed and the figurine placed in protective custody at the Hellenic Museum.
- A prominent community leader posts a Christmas message calling for unity, reflection and renewal. The comments section erupts into a 312-reply argument over font selection.
- Dean Kotsianis is arrested after attempting to paint a Greek themed mural in the Great Wall of China.
- A panygyri takes place in Melbourne. Souvlakia and loukoumades are sold and Anagenisi Band pumps out the latest and not-so-latest tracks. Manasis Dance Group announces it has “chosen not to participate.”
- As the year ends, consensus emerges that 2027 will finally be the year things change. A committee is formed to investigate.
DEAN KALIMNIOU
kalymnios@hotmail.com
First published in NKEE on Saturday 3 January 2026